Phir Aayi Hasseen Dillruba Review: Taapsee Pannu and Vikrant Massey’s Sequel Lacks Originality and Disappoints

Phir Aayi Hasseen Dillruba Review: Taapsee Pannu and Vikrant Massey’s Sequel Lacks Originality and Disappoints

Ek haseena thi, ek deewana tha- – This notable tune from a now notorious film is utilized to pretty splendid impact in Phir Aayi Hasseen Dillruba as it starts. The dynamite fall in soundness which follows notwithstanding, will become famous as well. I’m actually staggering from the silly storyline of this film which takes the words ‘creative freedom’ to another level. What’s more, that isn’t really consistently something worth being thankful for.

The plot

We meet Rani Saxena (Taapsee Pannu) once more, a femme fatale who has men falling over her, and her significant other, Rishabh Saxena (Vikrant Massey), what her identity is ventured to have killed (we are shown a flashback of what occurred in the main film, which is very cunning). Obviously, a let the there’s a cop case close! How unique. Full stamps to author Kanika Dhillon? You be the appointed authority.

Rani, a widow now for the world, has one more man entering her life, Abhimanyu (played by Bright Kaushal), for whom it’s head over heels love. He’s that person nearby who asks her out for a film and books the whole theater. Also, when she fails to remember her salon stuff at home, he runs as far as possible behind her cart just to hand it to her. In any case, everything isn’t as it appears.

Rishu and Rani are good to go to take off to Thailand in one month as doubt develops about what befell the departed Neel Tripathi, played by Harshvardhan Rane in the principal film. Yet, with the intense cop (played by Jimmy Sheirgill, Neel’s chacha) close behind them, can they get away? Is Rishu ready to stow away from the world?

Film is missing originality

Phir Aayi Hasseen Dillruba gets off to a positive start, attempting to be a discourse on ladies assuming responsibility for their cravings. Rani clues to Rishu (as they convey through headphones out in the open) ‘there’s nobody at home today’. Another female person maintains that Rishu should satisfy her sexual longings atleast to adore.

However, this gets lost in the midst of the puff that follows. As it advances, we are guaranteed a delightful end quip planned yet what’s missing is the large O, innovation. There’s nothing in here we haven’t found in the principal film as of now. Characters speak with one another through wonderful scribbles on open walls, meet each other much of the time even as the police are keeping a watch, they actually don’t get found out. The producers of Phir Aayi Hasseen Dillruba depend totally on the crowd’s willingness to accept some far-fetched situations, and rationale leaves the window. The film plunges in the final part, and when the uncover comes, you simply couldn’t care less. How might you make a tension thrill ride and have such last details?

Also, we should not actually discuss the rushed ‘let-down’. A peak is characterized as the most interesting piece of something, that’s what here it’s everything except. Phir Aayi Hasseen Dillruba’s producers and authors appear to have tossed an open greeting to the creators of the Mission Incomprehensible establishment – beat this.

Sunny, Taapsee, Vikrant performance report card

Concerning the exhibitions, the main individual with a nice person bend here is Radiant Kaushal as Abhimanyu. Taapsee Pannu, who is the nominal haseena, has lost the moxie which powered the primary film, in this one. Vikrant Massey’s personality has nothing else to do or say, than growl when someone thinks for even a second to scrutinize his affection. Jimmy Sheirgill is totally squandered.

Also Read: Taapsee Pannu Treats Fans With Chole Bhature at Delhi Promotions of Phir Aayi Haseen Dilruba

The imaginary Pandit Ji’s heartfelt thrill ride books are Sacred Book of scriptures for all characters in this, similar as the principal film. At a certain point, in the let-down, a person comments, ‘Humne samajhdaari bauhaut peeche chhod di hai Pandit ji ke shagird boycott ke.’ Subsequent to watching this fizzle of a film, I can’t help but concur.